To the gate he came and with his wand touch-d it whereat open without impediment it flew Gustave Dore (1832-1883)

The drawing presents a dramatic scene unfolding before a monumental gate carved into a rock face. A radiant figure, presumably angelic in nature, dominates the central space, emanating light that sharply contrasts with the surrounding darkness. This illumination highlights the figures form – draped in flowing robes and holding an object resembling a wand or staff, which is extended towards the gate.
Two figures stand adjacent to the luminous being; their attire suggests they are travelers or pilgrims, observing the unfolding event with expressions of awe and perhaps trepidation. The man on the left wears a long, simple robe, while his companion is similarly dressed but with more elaborate draping. Their posture conveys a sense of deference towards the radiant figure.
The lower portion of the composition is populated by a group of grotesque figures – seemingly demons or monstrous entities – who appear to be restrained or held back from approaching the gate. They are rendered in considerable detail, their bodies contorted and muscular, conveying an impression of suppressed power and malice. Their proximity to the gate suggests they are guardians or obstacles preventing access.
The artist employed a strong chiaroscuro effect, utilizing stark contrasts between light and shadow to create depth and drama. The rough texture of the rock face is meticulously rendered, adding to the sense of imposing scale and ancient mystery. The background features a dark, silhouetted landscape with tall, pointed trees that further emphasize the isolation and otherworldliness of the scene.
Subtexts within this drawing revolve around themes of divine intervention, access to forbidden knowledge or realms, and the struggle between good and evil. The gate itself symbolizes a threshold – a point of transition or entry into an unknown space. The radiant figure’s action of opening the gate implies a power that transcends earthly constraints, while the restrained demonic figures represent the forces attempting to impede this passage. The two accompanying figures suggest the presence of humanity as witnesses to, and potential beneficiaries of, this divine act. Overall, the drawing conveys a narrative of overcoming obstacles through supernatural assistance, hinting at a journey into an uncharted territory fraught with peril and promise.