The Avaricious Gustave Dore (1832-1883)

Here we observe a densely populated scene rendered in meticulous detail through cross-hatching and tonal gradation. The composition is dominated by a chaotic pile of human figures sprawled across a rocky terrain that rises sharply towards the upper portion of the frame. These individuals appear lifeless, their limbs contorted at unnatural angles, suggesting a state of exhaustion or death. Their clothing is tattered and indistinct, further emphasizing their anonymity and shared suffering.
Above this mass of bodies stands a solitary figure, positioned centrally and elevated above the rest. This individual is draped in voluminous robes that obscure much of the form, yet reveal a skeletal hand clutching a large sack – presumably filled with coins or other valuables. The face is partially visible, exhibiting an expression of grim satisfaction or detached indifference as it gazes down upon the suffering below. A second arm extends from beneath the cloak, seemingly offering a small coin to one of the figures in the pile.
The overall effect is one of oppressive weight and moral condemnation. The artist has created a visual metaphor for greed and its consequences. The sheer number of bodies underscores the scale of human loss attributable to avarice; each individual represents a life sacrificed at the altar of material gain. The figure atop the mound embodies the destructive nature of unchecked desire, seemingly unburdened by empathy or remorse.
The use of monochrome intensifies the somber mood and reinforces the sense of moral austerity. Light appears to emanate from an unseen source above, casting deep shadows that accentuate the contours of the figures and heighten the dramatic impact of the scene. The composition suggests a hierarchical structure – those consumed by greed are elevated while their victims are relegated to a position of subjugation and despair.