And many more too long Embryos and idiots eremites and friars Gustave Dore (1832-1883)

The drawing presents a chaotic scene dominated by figures in dynamic, contorted poses. A central figure, mounted on horseback and wielding a spear or lance, appears to be engaged in violent conflict with a multitude of surrounding individuals. The rider is armored, suggesting a military or heroic role, while the adversaries seem to represent a diverse range of social types – some appear as monks, others as commoners, and still others are rendered in grotesque, almost embryonic forms.
The composition lacks clear spatial depth; figures overlap and intertwine, creating a sense of claustrophobia and overwhelming disorder. The artist employs strong diagonal lines to emphasize the movement and intensity of the struggle. A banner trails from the horse’s lance, adding another layer of visual complexity and potentially signifying allegiance or purpose.
The monochromatic palette contributes to the overall feeling of severity and drama. Light and shadow are used expressively, highlighting certain figures while obscuring others, further enhancing the sense of turmoil. The rendering style is highly detailed, with meticulous attention paid to facial expressions and anatomical distortions, which contribute to a disturbing and unsettling atmosphere.
Subtextually, the work seems to explore themes of conflict, societal upheaval, and perhaps even religious dissent. The presence of figures representing different social strata – from armored warriors to monks and embryonic forms – suggests a critique of hierarchical structures or a commentary on the fragility of human existence. The chaotic composition and distorted figures imply a breakdown of order and reason, possibly reflecting a period of political or spiritual crisis. The title itself, with its unusual combination of terms, hints at a complex and potentially satirical exploration of humanitys flaws and contradictions.