The Ogre Received Him As Civilly A sAn Ogre Can Gustave Dore (1832-1883)

The drawing presents a scene steeped in theatricality and grotesque detail. Here we observe a central figure, presumably the titular ogre, seated upon an elaborate chair that emphasizes his size and dominance. His posture is one of forced civility; he appears to be attempting politeness despite his monstrous form. The artist has rendered him with exaggerated features – a broad nose, thick lips, and a heavy brow – all contributing to a sense of unsettling power. He wears what seems to be an ornate, possibly armored, garment, suggesting a degree of self-importance or even royalty within his own domain.
Surrounding the ogre are several supporting figures who contribute significantly to the narrative’s subtext. A servant pours liquid into a goblet held by the ogre, while another stands behind him, bearing a large basket seemingly filled with human remains – skulls and bones are clearly visible. This detail immediately establishes a macabre context for the scene, hinting at the ogres predatory nature. The presence of these gruesome offerings underscores his status as a consumer of human flesh.
In the foreground, a small creature – perhaps a man transformed or an emissary – is depicted in a posture of awkwardness and apparent fear. He stands on his toes, seemingly attempting to maintain some semblance of dignity while facing the ogre. His stance conveys vulnerability and apprehension, highlighting the power imbalance between him and the monstrous host. The discarded crust of bread at his feet further emphasizes his precarious position.
The composition is carefully structured; the table acts as a visual barrier separating the visitor from the ogre, reinforcing the social distance despite the attempt at hospitality. The use of strong contrasts in light and shadow enhances the dramatic effect, drawing attention to key elements such as the ogre’s face and the basket of bones. The overall impression is one of dark humor and unsettling irony; a scene that attempts to portray civility within an inherently barbaric context. The artist uses exaggeration and detail to create a world both fantastical and deeply disturbing, prompting reflection on themes of power, consumption, and the fragility of human existence.