Élisabeth Louise Vigée Le Brun – Portrait of PrinceAlexander Kurakin
1797. 96x76
Location: Hermitage, St. Petersburg (Эрмитаж).
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Here we see a man of considerable stature, with a round face exhibiting signs of prosperity and perhaps age. His expression is somewhat ambiguous – a hint of a smile plays on his lips, but it doesnt convey overt joy or warmth; rather, it suggests a measured composure, characteristic of someone accustomed to public display. The elaborate powdered wig, typical of the period, contributes to an image of aristocratic status and adherence to fashionable norms.
The clothing is richly detailed and significant in conveying social standing. A red coat with white fur trim forms the base layer, over which he wears a green velvet waistcoat embroidered with gold foliage. Multiple orders of chivalry are pinned prominently on his chest, signifying high-ranking positions within the court and military. The sheer quantity and quality of these decorations underscore his importance and influence.
The artist’s handling of color is noteworthy. The deep greens and reds create a vibrant contrast against the dark background, drawing attention to the subjects opulence. The brushwork appears relatively loose, particularly in the rendering of the fur trim and waistcoat embroidery, suggesting an emphasis on capturing texture and richness rather than meticulous detail.
Subtly, there is a sense of weightiness conveyed not only by the man’s physical presence but also by the formality of his pose and attire. The lack of any discernible background or personal objects reinforces this impression – he exists as a symbol of rank and authority, presented for public recognition. The overall effect is one of controlled grandeur, indicative of a person deeply embedded within a hierarchical social structure.