Élisabeth Louise Vigée Le Brun – Comtesse de la Chatre, Later Marquise de Jaucourt
1789. 114x87
Location: Metropolitan Museum of Arts, New York.
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The woman’s attire is notable for its restrained elegance. She wears a flowing white gown with a high waistline, characteristic of late 18th-century fashion. A dark sash cinches her waist, drawing attention to its slender form and adding a touch of formality. The wide-brimmed hat, adorned with elaborate black ribbons, frames her face and contributes to the overall impression of refined taste. A sheer white shawl drapes over her shoulders, softening the lines of the gown and lending an air of gentle modesty.
The artist’s handling of light is particularly significant. It illuminates the womans face and upper body, highlighting the texture of her skin and the delicate folds of her clothing. The background remains largely in shadow, which serves to isolate the figure and intensify the focus on her presence. This contrast between light and dark creates a sense of depth and drama within the composition.
Beyond the surface depiction, several subtexts emerge from this portrait. The book she holds suggests an interest in intellectual pursuits or perhaps a cultivated leisure. Her direct gaze conveys confidence and composure, hinting at a strong personality. The luxurious setting and elegant attire underscore her social standing and wealth. However, there is also a certain quietness to the scene; it’s not overtly celebratory but rather contemplative. This restraint might suggest an awareness of societal expectations or perhaps a subtle commentary on the complexities of aristocratic life during this period.
The overall effect is one of understated grandeur – a portrait that seeks to convey not only outward appearance, but also inner character and social position through carefully considered details and nuanced expression.