Madame Grand (Noël-Catherine Verlée, 1761–1835), Later Madame de Talleyrand-Périgord, Princesse de Bénévent Élisabeth Louise Vigée Le Brun (1755-1842)

The portrait presents a woman in a three-quarter view, set against a dark, indistinct background that emphasizes her figure and attire. She is positioned slightly off-center within the oval frame, creating a sense of dynamic presence rather than static formality. The artist has rendered her with meticulous attention to detail, particularly regarding the elaborate coiffure which dominates the upper portion of the composition. This hairstyle, a hallmark of late 18th-century fashion, is constructed from voluminous curls and adorned with blue ribbons that echo in the color of the bow at her chest.
The woman’s expression conveys an air of studied composure; her gaze is directed slightly away from the viewer, suggesting a certain detachment or perhaps introspection. The subtle curve of her lips hints at a restrained smile, avoiding overt displays of emotion while maintaining a sense of accessibility. Her skin tone appears pale and luminous, characteristic of portraiture intended to convey refinement and status.
The dress itself is rendered in shimmering fabrics that catch the light, creating a play of highlights and shadows across its surface. The low neckline reveals a glimpse of her décolletage, a deliberate detail indicative of fashionable trends during this period. Her hands are delicately positioned, one resting gently on what appears to be the fabric of her gown, further emphasizing elegance and grace.
Beyond the superficial depiction of beauty and fashion, the painting subtly conveys an impression of social standing and power. The dark background serves to isolate the subject, elevating her above the mundane. The meticulous rendering of details – the hair, the dress, the jewelry – suggests a deliberate effort to project an image of wealth and influence. There is a quiet confidence in her posture and expression that speaks volumes about her position within society. The overall effect is one of restrained grandeur, indicative of a woman accustomed to privilege and authority.