Rijksmuseum: part 3 – Guercino -- Caritas, 1610-1716
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a small child observes the scene, his posture conveying a sense of quiet contemplation or perhaps nascent understanding of the tragedy unfolding before him. A heavy, golden curtain hangs to one side, partially obscuring the background and creating a sense of enclosure around the central figures. This curtain also serves to isolate them from the broader landscape beyond.
Above, suspended in a cloudy sky, an angelic figure sits upon what appears to be a cloud formation. He holds a laurel wreath in his hand, a traditional symbol of victory or honor, yet his expression is ambiguous – neither overtly joyous nor sorrowful. The placement of this celestial being suggests a divine witness to the earthly suffering below, perhaps offering solace or foreshadowing redemption.
The landscape behind the figures is rendered with a muted palette and atmospheric perspective, contributing to the overall sense of melancholy and distance. A dark forest line punctuates the horizon, adding depth and reinforcing the feeling of isolation. The artist’s use of chiaroscuro – the stark contrast between light and shadow – heightens the emotional intensity of the scene, drawing attention to the figures expressions and gestures while simultaneously shrouding parts of the composition in mystery.
Subtly, the presence of a cross held by the woman introduces a layer of religious symbolism. It suggests that suffering is not merely an isolated event but part of a larger narrative of sacrifice and faith. The painting seems to explore themes of maternal love, loss, divine intervention, and the enduring power of hope amidst hardship.