Maris, Jacob – Polder na onweer, 1892 Rijksmuseum: part 3

The canvas presents a low-lying landscape dominated by water and vegetation, evoking a sense of expansive flatness characteristic of polder regions. A body of water, likely a canal or drainage ditch, occupies much of the central space, its surface reflecting the turbulent sky above. The reflections are not precise duplicates but rather impressionistic renderings, contributing to the overall atmospheric effect.
Along the banks, dense foliage – primarily trees and shrubs – creates a dark green border that frames the scene. These areas are rendered with thick impasto, suggesting a tactile quality and emphasizing their textural complexity. A small figure in a boat is positioned mid-water, appearing diminutive against the scale of the landscape. The individual’s posture suggests labor or navigation, hinting at the human interaction with this environment.
In the distance, a windmill stands as a solitary structure on a slight rise. Its presence indicates agricultural activity and reinforces the connection between humanity and the land. Above, the sky is filled with dramatic cloud formations – dark greys and whites swirl together in an agitated pattern. This atmospheric condition suggests a recent or impending storm, lending a palpable sense of tension to the scene.
The color palette is largely muted, relying on greens, browns, greys, and hints of blue. The limited range contributes to a somber mood, while the loose brushwork conveys a feeling of immediacy and spontaneity. There’s an intentional lack of sharp detail; forms are suggested rather than precisely defined, which encourages the viewers eye to wander across the surface and engage with the overall impression.
Subtly, the painting explores themes of human perseverance within nature’s power. The small figure in the boat represents a quiet resilience against the backdrop of an overwhelming landscape. The storm clouds symbolize forces beyond human control, while the windmill signifies the ongoing efforts to shape and utilize the environment for sustenance. Ultimately, the work conveys a sense of melancholy beauty – a contemplation on the relationship between humanity, labor, and the natural world.