Rijksmuseum: part 3 – Unknown artist -- De toren van Babel, 1480-1490
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has meticulously rendered a bustling scene around this edifice. Numerous individuals populate the foreground and middle ground; some appear to be laborers, hauling stones and timber, while others seem to be overseeing the construction or engaging in what might be interpreted as celebratory actions. A diverse array of clothing styles suggests a gathering of people from different regions or social strata. The inclusion of animals – horses, donkeys, and oxen – further emphasizes the labor involved in the project.
Beyond the structure, a body of water stretches into the distance, dotted with sailing vessels of varying sizes. These ships suggest trade, exploration, or perhaps even a sense of impending disruption to the construction effort. A rocky promontory juts out on the right side of the composition, providing a vantage point from which one can observe the activity below.
The overall impression is one of ambitious undertaking and potential discord. The scale of the building relative to the figures suggests an attempt at something grand and perhaps hubristic. The scattering of stones and debris around the base hints at both construction and possible conflict or collapse. The varied expressions on the faces of the individuals – some appear determined, others anxious – contribute to a sense of underlying tension.
The artist’s attention to detail in depicting clothing, tools, and architectural elements suggests an interest in portraying a specific time period or cultural context. The inclusion of diverse figures implies themes of unity, ambition, and potentially, the consequences of overreaching aspirations.