Rijksmuseum: part 3 – Voorhout, Johannes (I) -- Allegorie op de Vrede van Rijswijk, 1697, 1698
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To the right of this central figure, an angel blows a trumpet, positioned amidst swirling clouds and partially obscured by drapery. The angel’s pose is dynamic, suggesting proclamation or celebration. Behind him, another figure on horseback, bearing what seems to be a shield or banner, adds depth and complexity to the background.
At the base of the plinth, several small figures are clustered around a globe and various objects that appear to represent instruments or tools. These children, seemingly innocent and vulnerable, contribute to the overall narrative of hope and renewal. To the left, a figure in earth-toned garments appears to be emerging from shadow, his expression conveying sorrow or lamentation. His posture suggests a connection to hardship or suffering.
The color palette is dominated by blues and golds, creating an atmosphere of grandeur and solemnity. The use of light and shadow enhances the dramatic effect, highlighting key figures and symbolic elements. The artist employed a classical style, evident in the idealized forms and balanced composition.
Subtexts within this work appear to revolve around themes of peace, prosperity, and the transition from conflict to harmony. The female figure likely embodies an allegorical representation of peace or justice, while the angel’s trumpet blast signifies the announcement of favorable conditions. The children symbolize future generations benefiting from these circumstances. The sorrowful figure on the left serves as a visual reminder of past suffering, contrasting with the promise of a brighter future. The globe and instruments suggest global reach and the tools necessary for rebuilding or progress. Overall, the painting conveys a message of hope and renewal following a period of adversity.