Maris, Jacob – De molen, 1880-1886 Rijksmuseum: part 3

The canvas presents a rural scene dominated by a substantial windmill. Its imposing presence is centrally positioned, rising vertically and anchoring the composition. The structure appears weathered, its grey timbers blending with the overcast sky. The sails are still, suggesting either a moment of rest or an impending shift in weather conditions.
Below the mill, a body of water – likely a canal or moat – extends into the distance, reflecting the muted tones of the sky and surrounding vegetation. A small boat rests near the foreground edge, partially submerged, hinting at a quiet, unhurried existence tied to this waterway. The brushwork along the waterline is loose and textured, conveying the rippling surface of the water.
A figure, presumably a man, stands in the immediate vicinity of the mill’s base, clad in dark clothing. His posture suggests contemplation or perhaps labor related to the mills operation. He is small in scale compared to the windmill, emphasizing its dominance within the landscape.
The surrounding vegetation – a mix of trees and low-lying shrubs – is rendered with a similar looseness as the water, contributing to an overall sense of atmospheric perspective. The color palette is restrained, primarily consisting of greys, greens, and browns, which reinforces the somber mood. Patches of lighter green suggest nascent growth amidst the prevailing muted tones.
The painting evokes a feeling of stillness and solitude. It’s not merely a depiction of a landscape; it seems to explore themes of human interaction with nature and the passage of time. The mill itself can be interpreted as a symbol of industry, but its stillness also suggests a sense of obsolescence or a pause in activity. The subdued lighting and limited color range contribute to an atmosphere of quiet melancholy, hinting at the cyclical nature of rural life and the enduring presence of tradition within a changing world.