Unknown artist – Gezicht op Smyrna met op de voorgrond de ontvangst van de Nederlandse consul Daniël Jan Baron de Hochepied (1657-1723) in de Divan, 1687-1723 Rijksmuseum: part 3

The composition presents a panoramic view of a densely populated coastal city, dominated by structures rendered in a warm terracotta hue. The urban sprawl extends across the canvas, punctuated by prominent hills rising in the background, their slopes covered with dark vegetation. A wide expanse of water occupies the lower left quadrant, dotted with several sailing vessels of varying sizes, suggesting active maritime trade and connectivity. Above this scene, a sky filled with billowing clouds adds depth and dynamism to the landscape.
In the foreground, a formal reception unfolds within an open-sided pavilion or structure. A central figure, presumably of high status given his position and attire, is seated on a raised platform, facing a group of assembled individuals. These figures are dressed in elaborate costumes, predominantly featuring red and white garments, indicating a ceremonial occasion. The arrangement suggests a hierarchical order, with the seated man commanding attention while others stand respectfully around him. Several guards or attendants, identifiable by their distinctive uniforms, flank the scene on either side, reinforcing the sense of authority and protocol.
The painting’s subtexts revolve around themes of colonial presence and diplomatic exchange. The depiction of the citys architecture and harbor activity points to a thriving commercial center, likely under some form of foreign influence or control. The formal reception in the foreground underscores the establishment of diplomatic relations between European powers and local authorities. The contrast between the expansive cityscape and the carefully staged event highlights the power dynamics at play – the visible wealth and infrastructure of the city juxtaposed with the deliberate display of authority by the seated figure and his entourage.
The artist’s choice to depict a specific moment, rather than simply portraying the city itself, implies an intention to document or commemorate a significant event – likely a formal welcome or reception for a European diplomat. The meticulous detail in rendering both the landscape and the figures suggests a desire to create a lasting record of this encounter, potentially serving as a visual testament to colonial ambitions and diplomatic endeavors. The overall effect is one of controlled observation, presenting a carefully constructed narrative that blends elements of portraiture, cityscape, and historical documentation.