Sir John Lavery – Goose, Girls
1885 oil on canvas
Location: The Fine Art Society, London.
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Behind the geese, a body of water reflects the surrounding foliage, creating a sense of depth and mirroring the colors of the trees lining the bank. The reflections are not sharply defined; instead, they blend into the overall atmosphere, contributing to the painting’s soft focus. A slender tree stands prominently near the waters edge, its bare trunk adding verticality to the composition.
Further back, two figures – likely young girls – can be discerned walking along a path that parallels the viewer’s perspective. Their forms are less detailed than those of the geese and appear somewhat distant, suggesting a sense of observation rather than direct interaction with the foreground action. The girls attire – a long dress and a dark coat – hints at a specific historical period, possibly late 19th or early 20th century.
The color palette is dominated by earthy tones – browns, yellows, greens – which evoke a feeling of quietude and nostalgia. Light filters through the trees, creating dappled patterns on the ground and water, enhancing the overall sense of serenity. The artist’s use of impasto – thickly applied paint – adds tactile quality to the surface, particularly noticeable in the depiction of the leaves and feathers.
Subtleties within the painting suggest a contemplation of childhood innocence and connection with nature. The girls presence implies a narrative – perhaps a simple afternoon outing – but their distance maintains an air of detachment, as if they are merely witnesses to the geese’s progress. The fallen leaves could symbolize the passage of time or a sense of melancholy associated with autumn. Ultimately, the work conveys a feeling of gentle observation and quiet reflection on the beauty of everyday life.