Philippe Mercier – The Sense of Touch
1744-47. 132×154
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The man seated to the left gestures with his open hand, seemingly directing attention towards the kitten being held by the woman beside him. His posture suggests a deliberate act of instruction or demonstration. The woman’s expression is one of gentle amusement and perhaps slight surprise at the unfolding event. She holds the kitten close, her gaze directed toward the man, as if seeking validation or understanding of his actions.
A young child, nestled between the woman and another adult, appears captivated by the scene. His face registers a mixture of curiosity and delight, further emphasizing the importance of the tactile experience being shared. The fourth individual, seated on the armrest of the chair, leans forward with an expression that blends attentiveness and perhaps a touch of playful anticipation. A fifth figure stands behind them, partially obscured but clearly participating in the group dynamic.
The setting itself contributes to the overall narrative. The fireplace, rendered with considerable detail, provides a sense of warmth and domesticity. Decorative vases flank the mantelpiece, suggesting affluence and refinement. The room’s subdued lighting creates an intimate atmosphere, drawing focus to the figures and their interaction.
Subtly, the painting explores themes of education, familial bonds, and sensory experience. The mans gesture implies a didactic element – a lesson being imparted about empathy or understanding through direct physical contact with the animal. The shared moment underscores the importance of connection within the family unit. The kitten serves as a catalyst for this interaction, representing innocence, vulnerability, and the simple pleasures derived from tactile engagement. It is likely that the artist intended to convey the significance of sensory perception in shaping human experience and fostering emotional understanding.