Maria Antonia Dans Boado – #19150
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The flowers themselves are abstracted, their shapes suggested rather than meticulously detailed. Dominant blues – ranging from deep indigo to lighter cerulean – are juxtaposed with bursts of yellow, orange, and touches of pink and purple. The application of paint is thick and impastoed, particularly on the petals and foliage, lending a tactile quality to the work. This textural emphasis contributes to an overall sense of energy and immediacy.
The vessel holding the flowers appears roughly textured, its dark color providing a grounding element against the lighter background and brighter blooms. It’s not depicted with photographic accuracy; rather, it serves as a structural anchor for the arrangement. The table surface upon which the vase rests is similarly simplified, indicated by broad strokes of ochre and grey.
Subtly, theres an interplay between control and spontaneity at work. While the composition is clearly structured – the flowers are contained within the vessel and placed centrally – the brushwork conveys a sense of improvisation. The loose application of paint suggests a focus on capturing the essence or feeling of the floral subject rather than its literal appearance.
The signature, located in the lower right corner, appears to be executed with a similar gestural quality as the rest of the painting, further reinforcing this impression of directness and immediacy. Overall, the work conveys a sense of joyful exuberance tempered by a quiet introspection – a celebration of color and form that prioritizes emotional resonance over precise representation.