Orest Adamovich Kiprensky – Portrait of the poet Vasily Zhukovsky. Graves. F. Vendramini. Postcard.
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БОЖИЙ САД
Всё в нём осмысленно – стволы и корни,
И листья жизни, и земля сама.
И мысли – что порой сложнее кроны,
И кипенная, долгая зима.
Мы, будучи в саду, его не очень
И замечаем, мы – его листы.
А что за летом наступает осень
Трагедией не посчитаешь ты.
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The background is composed of a landscape rendered in a lighter tone, hinting at an expansive vista with trees and what appears to be a distant architectural structure – possibly a castle or manor house. This backdrop, though somewhat indistinct, provides a contrast to the subject’s immediate presence and suggests a connection to a broader world beyond his personal contemplation.
Below the portrait sits a small allegorical scene. A winged figure, presumably representing an angel or putto, rests upon a tombstone adorned with heraldic symbols. The inclusion of this funerary motif introduces a layer of subtext concerning mortality and remembrance. It implies that the individual portrayed is being memorialized, suggesting a connection to loss or perhaps a reflection on his legacy.
The text accompanying the image identifies the subject’s name and lifespan (1783-1852), further reinforcing the notion of commemoration. The presence of both the artists name (писалъ О. Кипренский) and the engraver’s (“Грав. Ф. Вендрамини”) indicates a collaborative effort in producing this image, likely for distribution as a postcard or similar printed matter.
Overall, the drawing conveys an atmosphere of quiet dignity and melancholy, hinting at themes of remembrance, mortality, and artistic legacy. The combination of portraiture and allegorical imagery suggests a deliberate attempt to create a lasting memorial to the individual depicted.