Orest Adamovich Kiprensky – Portrait Cher de Angelis. 1822. Lithograph. GMII
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The subject is clad in what appears to be a dark double-breasted coat with prominent buttons, indicative of formal attire for the period. The crispness of the fabric and the precision of the button placement suggest an emphasis on social standing or professional identity. A white shirt collar peeks out from beneath the coat, providing a subtle contrast against the darker tones of the garment.
The lighting is carefully controlled; it illuminates one side of his face while leaving the other in shadow. This chiaroscuro effect enhances the three-dimensionality of the figure and draws attention to his gaze, which appears directed slightly upward and outward, conveying an air of contemplation or perhaps a quiet confidence.
Subtly inscribed at the bottom are names, likely those of the artist and engraver, indicating the collaborative nature of lithographic production. The overall effect is one of restrained elegance and understated authority. The work seems intended to convey not only a likeness but also a sense of character and social position. It’s possible that this was created as part of a series or for distribution among a specific audience interested in portraits of individuals of note.