#30304 I C Certamen

The composition presents a striking juxtaposition of organic and geometric forms rendered in a vibrant palette. A large, stylized flower dominates the left side of the canvas. Its petals are constructed from thick, impasto brushstrokes in shades of turquoise, white, yellow, and touches of red, creating a sense of dynamic movement and almost sculptural volume. The flower’s form is abstracted; it lacks botanical accuracy but conveys an impression of exuberant growth.
To the right, a fleshy arm occupies much of the pictorial space. Its skin tone is rendered in warm ochre hues, outlined with bold black contours that emphasize its shape and create a flattened effect. This arm appears to be emerging from or enveloping the flower, suggesting a complex relationship between nature and the human body.
Superimposed on the arm is a circular emblem containing text arranged around a central teardrop-shaped motif. The lettering, though partially obscured by the composition’s style, seems to incorporate floral terminology. This textual element introduces an intellectual layer to the work, hinting at themes of language, representation, and perhaps even the artificiality of categorization.
The background is a deep, saturated red, which serves to intensify the colors of both the flower and the arm while also creating a sense of depth and enclosure. The dark border around the image further isolates the scene, drawing attention to its internal elements.
Subtly placed at the lower right corner, a small cluster of leaves echoes the organic forms present in the flower, reinforcing the painting’s focus on botanical imagery. Overall, the work seems to explore themes of growth, decay, and the interplay between natural beauty and human intervention, utilizing a distinctive visual language that blends abstraction with recognizable motifs.