Sebastiano Ricci – Bathsheba at her Bath
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around her are several attendants engaged in various tasks. One woman stands to the left, holding a tray with what appears to be food or drink; her gaze is directed away from the central figure, suggesting a degree of detachment or perhaps deference. Another kneels nearby, tending to the woman’s foot, while a third attends to her hair, using a comb and mirror. A fourth attendant, distinguished by their darker skin tone, stands slightly behind the group, holding what looks like a fan; their posture is more observant than actively involved.
The color palette is dominated by warm tones – golds, yellows, and browns – which contribute to the overall sense of opulence and luxury. The landscape visible through the balustrades provides depth and context, hinting at an expansive estate or garden beyond the immediate setting.
Subtleties within the scene invite deeper consideration. The central figure’s exposed body, while presented with a degree of naturalism, carries implications of sensuality and potential transgression. The presence of multiple attendants underscores her elevated status and reinforces themes of servitude and power dynamics. The averted gaze of one attendant, coupled with the observant stance of another, suggests an awareness of the scenes inherent complexities – perhaps hinting at unspoken tensions or judgments within this hierarchical environment. The inclusion of a dark-skinned servant introduces questions about race and social roles in the depicted society.
The arrangement of figures creates a dynamic interplay between intimacy and distance, vulnerability and power, observation and participation. It is a carefully constructed tableau that evokes not only a moment of personal indulgence but also broader societal structures and unspoken narratives.