Samuel Colman – The Delivery of Israel Out of Egypt
1840
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The lower portion of the scene depicts a mass of fallen warriors and fleeing individuals. The artist has employed a palette of dark browns, greens, and reds to convey a sense of destruction and suffering. Numerous bodies lie scattered across the ground, while others scramble for safety amidst overturned chariots and broken weaponry. A palpable feeling of disarray permeates this area, emphasizing the brutality of the depicted event.
Above this chaotic foreground rises an immense chasm or valley, its walls lined with jagged rock formations that contribute to the overall impression of confinement and peril. The sky above is a swirling vortex of blues and whites, punctuated by flashes of light that suggest divine intervention or a supernatural occurrence.
The focal point of the painting lies in the center of this celestial display: a brilliant column of light descends from the heavens, illuminating the scene below with an almost blinding intensity. This beam appears to be emanating from a central figure, though its precise nature remains ambiguous – it could represent divine presence, a guiding force, or perhaps even a destructive power unleashed upon those who oppose it.
The artist’s use of perspective is noteworthy; the deep recession into space creates a sense of depth and grandeur, while simultaneously emphasizing the vulnerability of the figures below. The dramatic lighting further enhances this effect, casting long shadows and highlighting key elements within the composition.
Subtly, theres an interplay between destruction and hope. While the foreground depicts devastation and loss, the central light source offers a glimmer of salvation or transcendence. This duality suggests that even in moments of profound crisis, the possibility of redemption remains. The painting seems to explore themes of divine judgment, liberation from oppression, and the enduring power of faith amidst adversity. It is an exploration of suffering, but also of potential deliverance.