#23767 Juan Romero

The artwork presents a densely populated composition executed in black ink on white paper. A central avian figure dominates the visual field; its form is stylized and highly ornamented with intricate patterns. The creatures wings are outstretched, forming a sheltering canopy beneath which smaller figures appear nestled. These secondary forms seem to depict human or humanoid characters, rendered in a similar graphic style as the larger bird.
The surrounding space isn’t left empty; its filled with an abundance of botanical and geometric motifs. Leaves, flowers, and abstract shapes interweave, creating a complex tapestry that extends to the edges of the paper. The repetition of these elements contributes to a sense of visual rhythm and unity throughout the piece.
The artist employed a technique characterized by fine lines and meticulous detailing. This approach lends an almost obsessive quality to the work, suggesting a deliberate focus on pattern-making and surface decoration. There’s a lack of traditional perspective or shading; instead, the emphasis is placed on the interplay of shapes and textures.
Subtly integrated into the composition are textual elements. A phrase written in Spanish – Viajar en Familia (Traveling as a Family) – appears near the lower right corner, along with a date: March 7, 1988. The signature “Ivan Romero” is located at the bottom right. These inscriptions provide contextual information and suggest a personal narrative connected to the artwork’s creation.
The overall impression is one of whimsical fantasy combined with an almost ritualistic attention to detail. The sheltering bird could be interpreted as a symbol of protection, family, or perhaps even spiritual guidance. The dense ornamentation might represent abundance, interconnectedness, or the complexity of life itself. The work seems to celebrate both individual identity (indicated by the signature) and shared experience (the familial theme).