NL 54b Henry Darger (1892-1973)

The artwork presents a panoramic view divided into three distinct scenes, rendered in watercolor on paper. The composition unfolds horizontally, suggesting a narrative sequence or progression of events. A rudimentary perspective is employed, flattening the space and prioritizing clarity over depth.
In the leftmost panel, figures are gathered around what appears to be a fortified structure, possibly a gate or entranceway. Several men, identifiable by their uniforms – a mix of red coats and darker attire – are engaged in conversation or observation. The presence of flags suggests military activity or official proceedings. A sense of anticipation hangs in the air; the figures seem poised for action.
The central panel depicts a mounted procession. Numerous horsemen dominate the scene, their forms rendered with simplified detail. They are positioned against a backdrop of billowing smoke and what seems to be an explosion or discharge of weaponry. The riders appear to be advancing, possibly leading a charge or responding to an attack. A sense of dynamism is conveyed through the movement implied by the horses and the swirling smoke.
The rightmost panel portrays a chaotic scene of conflict. Figures are clustered around a burning structure, engulfed in flames and obscured by dense smoke. The color palette here shifts towards darker tones – blues, blacks, and oranges – emphasizing the intensity of the destruction. A sense of urgency and disorder prevails; individuals seem to be struggling amidst the turmoil.
The text inscribed within each panel provides contextual clues, though its legibility is limited. These inscriptions likely detail specific events or actions taking place in each scene, further enriching the narrative.
Subtextually, the work seems to explore themes of military engagement and colonial power dynamics. The uniforms suggest a hierarchical structure and a clear distinction between opposing forces. The depiction of destruction and conflict hints at the consequences of such encounters. The overall impression is one of a historical record, albeit presented in a somewhat stylized and simplified manner. The artist’s choice of watercolor lends a delicate quality to what are otherwise scenes of violence, creating an intriguing juxtaposition.