Still Life; The Smell Evert Collier (1640-1707)

The composition presents a meticulously arranged still life affixed to a dark wooden surface by a red-painted rack. The arrangement is dominated by printed matter and a small portrait, all seemingly suspended in space.
Several newspapers are prominently displayed. Their titles, though partially obscured, suggest official proclamations and royal speeches – indications of political or public announcements. One paper bears the inscription Mr. Edward Collier, Painter at London, which provides a contextual clue regarding the artists profession and location. The papers appear aged and slightly crumpled, lending an air of immediacy and perhaps hinting at their transient nature as sources of information.
Beneath the newspapers lies a small portrait depicting a man in period attire. He holds a pipe, from which a plume of smoke rises, visually connecting to the paintings title: The Smell. The man’s expression is ambiguous; it could be interpreted as contemplative or subtly mocking. The inclusion of this miniature portrait introduces an element of personal narrative within the broader context of public affairs.
A quill pen rests near the newspapers, suggesting authorship and communication. A small, folded note hangs from the rack alongside a key attached to a decorative fob. These objects contribute to the sense of secrets, correspondence, and perhaps hidden meanings.
The dark wooden background provides a stark contrast to the lighter tones of the papers and portrait, emphasizing their presence. The red rack serves as both a structural element and a visual accent, drawing attention to the arrangement while also suggesting confinement or display.
Subtly, the painting explores themes of communication, power, and perception. The newspapers represent the dissemination of information and its influence on public opinion. The portrait introduces an individual perspective within this larger narrative. The title The Smell is particularly intriguing; it could refer to the literal scent of tobacco from the pipe, but also metaphorically allude to the pervasive atmosphere of political intrigue or the subtle nuances of human character. The arrangement as a whole suggests a commentary on the role of art and observation in understanding the complexities of society and individual experience.