self portrait Joaquin Sorolla y Bastida (1863-1923)

The painting presents a self-portrait executed in a loose, impressionistic style. Here we observe a man depicted from the chest upwards, seated before what appears to be an easel. He is positioned at a slight angle to the viewer, his gaze directed outward with a directness that suggests both confidence and perhaps a touch of weariness.
The artist’s attire consists of a dark jacket over a lighter shirt, and he wears a broad-brimmed hat, rendered in thick, visible brushstrokes that capture its texture and form. His face is characterized by a full beard and mustache, painted with an energetic application of pigment that conveys both age and vitality. The lighting is uneven, highlighting the planes of his face while leaving areas in shadow, contributing to a sense of depth and volume.
Behind him, a dark wooden structure – likely part of the easel or studio setting – is suggested through broad strokes of brown and black paint. A canvas, partially visible, displays hints of red pigment, indicating ongoing work. The artist holds a paintbrush in his hand, poised as if ready to continue painting.
The inscription at the bottom left corner reads A mi Clotilde, followed by a signature, “Joaquim,” and the date 1904. This dedication suggests a personal connection – a gift or tribute to someone named Clotilde. The intimacy implied by this inscription adds another layer of meaning to the self-portrait, hinting at relationships beyond the professional sphere.
The overall impression is one of an artist engaged in his craft, comfortable within his studio environment, and connected to those around him. The painting’s loose brushwork and muted color palette contribute to a sense of immediacy and authenticity, conveying not just a likeness but also a glimpse into the character and life of the individual depicted.