ItWasAboutRespect Barbara Norfleet

The composition presents a staged scene involving insects within a constructed environment. Two large spiders dominate the foreground, positioned on either side of a framework of thin, vertical poles. One spider clings precariously to a pole, its posture suggesting tension or struggle. The other is situated lower down, seemingly poised for action.
Between them, suspended by fine wires attached to the poles, are two praying mantises. Their elongated bodies and distinctive forelegs are prominently displayed, creating a visual focus on their predatory nature. The arrangement of the mantises suggests they are in motion, perhaps engaged in a ritualistic dance or preparing to strike.
The background is dominated by a dramatic sky filled with swirling clouds, rendered in muted tones of grey and blue. Below this, a sandy terrain stretches into the distance, providing a stark contrast to the dark coloration of the insects. The lighting appears artificial, highlighting the textures of the sand and emphasizing the glossy surfaces of the spiders’ exoskeletons.
The artist has created an unsettling juxtaposition between the natural world – represented by the insects – and a deliberately constructed setting. This suggests themes of control, manipulation, and perhaps even exploitation. The precariousness of the spider clinging to the pole could symbolize vulnerability or entrapment. The suspended mantises evoke notions of power dynamics and the inherent violence within nature.
The overall effect is one of theatricality and unease. It’s a carefully orchestrated display that invites contemplation on themes of dominance, fragility, and the artificiality of constructed environments. The framing border adds to this sense of deliberate presentation, further distancing the viewer from any notion of natural observation.