Part 4 Louvre – Florentin Damoiselet -- Cupid and flowers
1680-90
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Эта репродукция дублирует такую же во второй часть альбома “Лувр”, но там указано несколько другое название:
http://gallerix.ru/storeroom/2719006409/N/2681911270/
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The foreground is occupied by an ornate, gilded object – likely a chair or bench – upon which a collection of items are arranged. These include a vibrant bouquet of flowers, musical notation laid out on the surface, and various instruments: a flute, a trumpet, and what appears to be a recorder. The floral arrangement is particularly noteworthy; its profusion of roses, carnations, and other blooms contributes to an overall sense of abundance and beauty.
Behind this still life, a potted tree rises, laden with fruit – possibly apples or quinces – further reinforcing the theme of prosperity and natural bounty. A glimpse of a cloudy sky peeks through the foliage, suggesting a connection between earthly pleasures and a higher realm. The dark background serves to heighten the contrast with the brightly lit objects in the foreground, drawing attention to their symbolic significance.
Subtly woven into this arrangement are layers of meaning. The musical instruments and sheet music likely allude to the patronage of the arts and the importance of music within aristocratic circles. The laurel wreath signifies victory or artistic merit, potentially referencing a specific individual or event. The flowers themselves carry traditional meanings – roses for love and beauty, carnations for affection – adding depth to the allegorical narrative.
The cherub’s presence introduces an element of divine inspiration and youthful innocence, suggesting that these artistic endeavors are blessed or guided by higher powers. Overall, the painting conveys a message celebrating artistry, prosperity, and the harmonious relationship between human creativity and natural beauty, all framed within a context of refined taste and aristocratic patronage.