Jean-Auguste-Dominique Ingres – Saint Louis, King of France, study for a stained-glass window for the Chapelle Saint-Ferdinand; one of fourteen figures of saints Part 4 Louvre

Here we observe a full-length depiction of a male figure, presented within a decorative architectural frame suggestive of a stained-glass window. The subject stands in profile, facing towards the right, with his head turned slightly toward the viewer. He is adorned in regal attire: a golden crown rests upon his head, and he wears a voluminous cloak or mantle emblazoned with stylized fleur-de-lis motifs. A richly ornamented royal robe drapes over his body, further emphasizing his elevated status. In his left hand, he holds what appears to be a small, ornate net or cage, while his right hand grasps a tall scepter topped with a cross.
A halo encircles the figure’s head, signifying his sanctity and divine connection. The background is a pale, neutral tone, allowing the subjects vibrant colors and details to take precedence. Below the figure, an inscription identifies him as S. Ludovicus Rex, indicating his identity as a royal saint.
The composition exhibits a deliberate formality and austerity. The profile view, combined with the rigid posture and symmetrical arrangement of elements, contributes to a sense of solemnity and dignified restraint. The artist’s meticulous attention to detail is evident in the rendering of the fabrics folds, the intricate patterns on the garments, and the precise depiction of the jewelry.
Subtly, the image conveys themes of divine right and royal piety. The combination of regal symbols (crown, scepter, robes) with religious iconography (halo, cross) suggests a merging of earthly power and spiritual authority. The net held by the figure might allude to his role in rescuing souls or capturing evil influences – a common symbolic association for saints. The overall effect is one of idealized representation, intended not merely as portraiture but as an inspirational exemplar of virtuous leadership and faith. The design’s suitability for a stained-glass window is apparent; its clarity and strong outlines would translate well into the medium, ensuring legibility from a distance within a liturgical setting.