Hans Holbein the Younger (1497 or 1498-1543) – Anne of Cleves (1515-1557), fourth wife of King Henry VIII Part 4 Louvre

The portrait presents a woman in what appears to be a formal setting, rendered with meticulous detail characteristic of Northern Renaissance portraiture. The subject is positioned centrally against a dark, almost monochromatic background that serves to emphasize her presence and the richness of her attire. Her gaze is directed towards the viewer, conveying an impression of composure and perhaps a degree of guardedness.
The artist has paid considerable attention to texture and material representation. The elaborate headdress, constructed from delicate lace and adorned with jewels, suggests wealth and status. A complex arrangement of necklaces, including one bearing a cross, draws the eye downwards, highlighting the neckline and upper torso. The sleeves of her gown are lavishly embroidered, and the fabric itself appears heavy and luxurious, indicated by its folds and sheen. The dark red color of the gown is striking against her pale complexion, creating visual contrast and emphasizing her figure.
Her hands are clasped gently in front of her, adorned with rings that further underscore her elevated social standing. The rendering of skin tones demonstrates a sophisticated understanding of light and shadow, contributing to a sense of realism. The slight flush on her cheeks suggests vitality, while the subtle modeling of her features conveys an impression of individual character.
Beyond the surface depiction of wealth and status, theres a palpable undercurrent of restraint. The woman’s expression is not overtly joyful or demonstrative; rather, it seems carefully controlled. This could be interpreted as a reflection of courtly decorum, but also hints at a possible underlying anxiety or uncertainty. The formality of the pose and the lack of any discernible background details contribute to this sense of distance and isolation. The overall effect is one of dignified reserve, leaving room for speculation about the subject’s inner state and the circumstances surrounding her portrayal.