Walter Howell Deverell – Scene from As You Like It by William Shakespeare
oil on panel
Location: Shipley Art Gallery, Tyne & Wear Museums, Gateshead.
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In the foreground, a woman reclines upon a bed of grass and foliage. Her posture is languid, her head resting on a book or similar object, conveying an air of repose that contrasts with the activity occurring further back. The details of her attire – a dark gown with lighter accents – suggest a degree of refinement, yet her placement within this natural environment implies a deliberate rejection of societal constraints. A small flock of sheep graze nearby, reinforcing the pastoral quality of the scene and hinting at themes of innocence and vulnerability.
Behind her, partially obscured by a large tree trunk, stands a man wielding what appears to be a hunting horn or similar signaling device. His stance is dynamic, suggesting he has just turned towards something beyond the viewers perspective. The clothing he wears – a tunic, breeches, and boots – indicates a position of some authority or at least a role outside of domesticity.
Further into the background, two figures are visible engaged in what seems to be an exchange. One appears to be gesturing with a writing instrument towards another individual who is seated behind a curtain-like arrangement of foliage. The obscured nature of this interaction introduces an element of mystery and intrigue; it suggests a clandestine meeting or a moment of concealed communication.
The color palette is dominated by earthy greens, browns, and ochres, which contribute to the overall atmosphere of naturalism and seclusion. Light filters through the trees, creating dappled shadows that enhance the sense of depth and add visual interest. The brushwork appears loose and expressive, lending a feeling of immediacy and spontaneity to the scene.
Subtly, the painting explores themes of escape, disguise, and hidden identities. The woman’s relaxed posture juxtaposed with the activity behind her suggests a deliberate withdrawal from societal pressures or perhaps an unawareness of impending events. The obscured figures in the background imply secrets and intrigue, hinting at a larger narrative unfolding beyond what is immediately visible. Overall, the work evokes a sense of anticipation and invites speculation about the relationships between these characters and the circumstances that have brought them together within this secluded woodland setting.