Walter Howell Deverell – The Mock Marriage of Orlando and Rosalind, A Scene from “As You Like It” by William Shakespeare
1853 oil on canvas
Location: Museums and Art Gallery, Birmingham.
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The central female figure exhibits a complex demeanor. Her gaze is directed downwards, avoiding direct eye contact with the man who reaches for her. The posture suggests a degree of reluctance or perhaps playful resistance to the action being performed. She wears a gown of deep red, contrasted by a lighter bodice, which draws attention to her upper body and face.
The surrounding woodland contributes significantly to the atmosphere. The trees are rendered with considerable detail, their trunks thick and gnarled, creating a sense of enclosure and seclusion. Ferns and undergrowth proliferate at the base of the trees, adding depth and texture to the scene. The color palette is dominated by greens and browns, punctuated by the vibrant red of the woman’s dress.
Subtleties in gesture and expression hint at an underlying narrative. The man on the lefts forward lean and focused gaze suggest a degree of urgency or insistence. The other man’s posture implies he is observing the interaction with a detached amusement, possibly acting as a witness or participant in a ritualistic exchange. The woman’s averted gaze and hesitant stance introduce ambiguity; she may be feigning reluctance for comedic effect, or genuinely experiencing discomfort.
The setting itself – a secluded woodland – implies a departure from societal norms, suggesting a space where conventions are suspended and roles can be playfully inverted. This sense of transgression is reinforced by the costumes worn by the figures: they appear to be dressed in rustic attire, further distancing them from conventional social structures. The overall impression is one of theatricality and carefully constructed artifice, hinting at a narrative that explores themes of courtship, disguise, and societal expectations.