Henri Matisse – img116
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COMMENTS: 1 Ответы
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человек не имеет права не записывать свои мысли
- они ему не принадлежат чтобы их выбрасывать вон безнаказанно – они принадлежат человечеству...
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Here we see the building’s façade, punctuated by arched windows and topped with a complex arrangement of towers and spires. These architectural elements are not depicted with precise detail; instead, they dissolve into a mosaic of yellows, oranges, and creams, suggesting sunlight reflecting off stone surfaces. The surrounding buildings appear as simplified masses, their forms defined primarily through color variations – deep greens, browns, and touches of red – rather than sharp outlines.
The foreground is occupied by what appears to be a street or plaza, delineated by patches of dark green and reddish-brown hues. A body of water, possibly a canal or reflecting pool, occupies the lower portion of the composition. Its surface mirrors the colors above, further amplifying the sense of diffused light and visual complexity.
The color palette is predominantly warm, with yellows and oranges dominating the upper registers of the painting. This creates an impression of intense sunlight and heat. The use of complementary colors – the juxtaposition of orange/yellow against blue/green – heightens the vibrancy of the scene.
Subtly, a sense of transience pervades the work. The indistinct forms and shimmering light suggest that the artist is less concerned with capturing a precise representation of reality than with conveying an impression – a fleeting moment observed under specific atmospheric conditions. This approach invites contemplation on the ephemeral nature of perception and the subjective experience of place. The sheer scale of the central structure, contrasted against the blurred details of its surroundings, might also imply a consideration of faith or tradition within a rapidly changing urban landscape.