Anselm Feuerbach (1829 – 1880) – Self-Portrait Alte und Neue Nationalgalerie (Berlin)

Here we observe a portrait study, executed in oil on canvas. The subject is positioned against a muted, indistinct background that appears to be a wall or architectural element rendered with loose brushstrokes and limited tonal variation. This backdrop serves primarily to isolate the figure, directing attention towards his face and upper torso.
The man’s gaze is directed outward, beyond the viewer, suggesting introspection or perhaps a distant preoccupation. His expression is complex; it conveys a sense of melancholy tinged with quiet determination. The eyes are particularly striking – their color contrasts sharply with the darker tones surrounding them, creating a focal point that draws the observer in. A neatly trimmed mustache and dark hair, styled with a slight wave, contribute to an overall impression of cultivated refinement.
The artist employed a restricted palette dominated by shades of gray, black, and brown. This limited range reinforces the somber mood and lends a certain austerity to the composition. The use of chiaroscuro – the interplay of light and shadow – is notable; it sculpts the face, emphasizing its planes and contours while obscuring details in areas of shadow. The texture of the paint appears relatively thick, particularly in the rendering of the hair, suggesting an energetic application of the brush.
The clothing worn by the subject is simple yet elegant: a dark, high-collared coat or jacket with minimal ornamentation. This understated attire further underscores the seriousness and introspection conveyed through his expression and posture. The absence of any overt symbols or props allows for a focus on the individual’s character and psychological state.
Subtly, theres an air of vulnerability present despite the formal presentation. It is not a triumphant self-representation; rather, it suggests a man grappling with internal complexities. The slightly averted gaze and the muted color scheme contribute to this sense of quiet introspection, hinting at a deeper emotional landscape beyond what is immediately visible.