Metropolitan Museum: part 1 – Eastman Johnson - The New Bonnet
Eastman Johnson: American, Lovell, Maine 1824–1906 New York City 1876; Oil on academy board; 20 3/4 x 27 in. (52.7 x 68.6 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Further into the space, two women stand near a doorway or alcove. One is slightly taller than the other, and both are dressed in dark, modest clothing. The woman closer to the viewer holds a hat, seemingly presenting it to the second woman who examines it with an air of careful consideration. Their interaction suggests a moment of quiet domesticity – perhaps a purchase or a simple exchange of garments. The younger girl stands slightly behind her companion, observing the scene with a curious and attentive expression.
The artist’s use of light is significant. It highlights the mans face and upper body, drawing attention to his melancholic demeanor while leaving much of the background in shadow. This contrast creates a visual hierarchy that emphasizes the individual’s isolation within the domestic setting. The overall palette leans towards earthy tones – browns, greens, and muted reds – reinforcing the impression of a humble, rural existence.
Subtleties within the scene hint at underlying narratives. The mans attire suggests a past prosperity now faded, possibly due to economic hardship or age. His position near the fire implies comfort but also perhaps a retreat from activity. The women’s interaction and the presentation of the hat could symbolize a desire for renewal or a subtle commentary on social status – the new bonnet representing an attempt to elevate ones appearance or standing within the community. The presence of tools hanging on the wall suggests labor, while the overall composition evokes a sense of quiet contemplation and understated narrative.