Metropolitan Museum: part 1 – William Morris Hunt - Girl at the Fountain
William Morris Hunt: 1824–1879 1852–54; Oil on canvas; 46 x 35 1/2 in. (116.8 x 90.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire – a simple, dark dress with a white apron and head covering – suggests a rural or working-class background. Her hands are prominent; they dominate the lower portion of the canvas, their actions meticulously rendered to capture the physicality of the task. The water itself is depicted as a shimmering cascade, reflecting light and adding a dynamic element to an otherwise static scene.
Behind the woman, a landscape unfolds – a hazy vista of rolling hills under a pale sky. This backdrop provides a sense of depth and context but remains somewhat indistinct, drawing attention back to the figure in the foreground. The architectural structure housing the fountain is rendered with a stark realism, its rough-hewn stone contrasting with the softness of the woman’s skin and clothing.
Subtleties within the painting hint at deeper meanings. The fountain itself can be interpreted as a symbol of sustenance and renewal, while the act of drawing water might represent perseverance or resilience in the face of hardship. The womans downward gaze suggests introspection or perhaps resignation to her circumstances. There is an understated melancholy present; it isn’t overt but permeates the atmosphere through the muted color palette and the figure’s posture.
The artist has skillfully employed light and shadow to create a sense of volume and texture, particularly in the depiction of the stone fountain and the womans clothing. The overall effect is one of quiet dignity and understated beauty, elevating an ordinary moment into something worthy of contemplation.