Richard Cosway – Margaret Cocks, later Margaret Smith
1787 oil on canvas
Location: Huntington Library and Art Gallery, San Marino.
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Here we see a figure draped in a flowing white gown, gathered loosely at the waist with a dark sash. The fabric drapes softly around her form, suggesting both modesty and refinement. A sheer white veil is artfully arranged atop her head, partially obscuring her hair while adding to the overall impression of ethereal beauty. Her skin possesses a luminous quality achieved through subtle gradations in tone; the artist has paid particular attention to capturing the softness of her features – the curve of her cheek, the slight flush on her lips.
The background is deliberately subdued, consisting primarily of dark blues and greens that recede into an indistinct landscape. A glimpse of what appears to be a coastal scene – a hazy horizon line and suggestion of foliage – is visible through the darkness, hinting at a connection with nature or perhaps a distant future. The placement of this backdrop contributes to the feeling of melancholy and longing conveyed by the subject’s expression.
A folded sheet of paper rests on the ground near her hand, its presence adding another layer of intrigue. It could represent correspondence, musical notation (given the eras prevalence of amateur music-making), or perhaps a symbolic representation of dreams or aspirations. The gesture of her hand resting lightly upon her arm further reinforces this sense of quiet contemplation and restrained emotion.
The overall effect is one of understated grace and subtle emotional complexity. While the subject’s beauty is undeniable, it is not presented in a flamboyant manner; instead, the artist has focused on capturing an inner life – a moment of private reflection that transcends mere physical representation. The painting suggests a narrative beyond what is immediately visible, inviting speculation about the womans circumstances and her internal world.