George Gower – Elizabeth I, Armada Portrait
c.1588 oil on panel
Location: Woburn Abbey, Bedfordshire, UK
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind the figure, a theatrical backdrop unfolds. Heavy green draperies frame two distinct scenes painted on panels. To the left, a fleet of ships appears anchored or at rest, depicted with considerable detail and suggesting naval power. On the right, a tumultuous scene of battle is visible, though somewhat obscured by distance and shadow. The depiction of conflict is not overtly violent but implies a struggle, a defense against an external threat.
A crown rests on a cushion to the left of the figure’s head, symbolizing sovereignty and legitimate rule. In her hands, she holds a terrestrial globe, its surface meticulously rendered with cartographic detail. This gesture signifies dominion over lands and oceans, projecting an image of global power and imperial reach. A small sculpture of a lion, a traditional symbol of courage and royalty, sits at the lower right corner, reinforcing themes of strength and leadership.
The color palette is rich and saturated, employing deep reds, greens, and golds to create a sense of richness and visual weight. The lighting is carefully controlled, highlighting the subject’s face and emphasizing the textures of her clothing and jewelry.
Subtly embedded within this formal portrait are layers of political messaging. The depiction of naval vessels alongside the implied battle suggests a recent victory or averted crisis – likely referencing a significant historical event involving a large foreign fleet. The globe underscores Englands expanding influence on a global scale, while the crown reinforces her right to rule. The overall effect is one of carefully constructed propaganda: an image designed not merely to represent but to project power, stability, and divine favor during a period of potential vulnerability. The artist has skillfully combined symbols of authority with allusions to recent events, creating a complex visual statement about national strength and the monarch’s role in safeguarding it.