#44714 Aureliano De Beruete Y Moret

The painting presents a scene dominated by water and reflected light. The lower portion is almost entirely occupied by the surface of a body of water, rendered with short, broken brushstrokes that convey movement and shimmering reflections. These reflections are not literal copies of what lies above; instead, they are vibrant distortions of color – primarily oranges, reds, and yellows – suggesting an intense sunset or artificial illumination.
Above the waterline, a structure is visible, appearing as a series of arched forms in shades of red and orange. The details of this construction are somewhat obscured by distance and atmospheric haze, but it seems to be a bridge or viaduct, its form repeated rhythmically across the horizon. A band of tall grasses or reeds flanks the structure on one side, adding verticality to the composition and providing a contrasting texture against the smooth curves of the architecture.
The artist’s focus is clearly not on precise representation but rather on capturing an ephemeral moment – the interplay of light and color upon water. The brushwork is loose and expressive, prioritizing sensation over detail. This technique creates a sense of immediacy and transience, as if the viewer were experiencing the scene directly.
Subtly, theres a tension between the natural elements (water, vegetation) and the man-made structure. While the reflections imbue the bridge with warmth and beauty, its presence also introduces an element of industrialization into what might otherwise be a purely pastoral setting. The painting doesn’t explicitly comment on this juxtaposition; rather, it presents it as a visual fact, inviting contemplation about humanitys impact on the landscape. The dark border framing the scene further isolates the depicted moment, emphasizing its fragility and fleeting nature.