Lorenzo Lotto – Deposition of Christ in the sepulcher (predella of the Martinengo altarpiece)
1513-1516
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The woman closest to the body is overcome with emotion, her face contorted in anguish as she reaches out towards it. Another figure, presumably a male, embraces the grieving woman, offering solace but also visibly affected by the loss. Further away, another man kneels beside the slab, his head bowed in apparent mourning. A fourth individual stands at the edge of the scene, seemingly supporting the body and assisting with its placement.
To the left, a figure clad in yellow robes gestures towards the group, while behind them, a landscape unfolds – a distant shoreline populated by figures, suggesting witnesses to this event. Scattered around the stone slab are objects that contribute to the narrative: tools, what appear to be nails, and a crown of thorns, all symbolic elements referencing the preceding events leading up to this moment.
The artist’s use of light is significant; it illuminates the central group, highlighting their emotional intensity while casting the background in relative shadow. This contrast directs the viewers attention towards the core drama unfolding within the sepulcher. The palette favors earthy tones – ochres, browns, and reds – which reinforce the somber mood and contribute to a sense of realism.
Beyond the immediate depiction of grief, the scene evokes themes of sacrifice, loss, and faith. The presence of the onlookers in the distance suggests a wider community witnessing this pivotal moment. The objects scattered around the slab serve as poignant reminders of the suffering endured by the deceased figure, hinting at a larger narrative of redemption and spiritual significance.