Anton Raphael Mengs – The Pope Clemens XIII
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s garments are rendered in rich detail. A crimson papal tiara sits atop his head, signifying high office within the Church hierarchy. The voluminous red robes, embroidered with golden floral motifs, convey opulence and authority. Beneath these layers of ceremonial dress, a white clerical shirt is visible, adding texture and visual interest to the composition. The folds and drapes of the fabric are meticulously painted, demonstrating an understanding of light and shadow that enhances their three-dimensionality.
His left hand rests upon what appears to be a document or scroll, held loosely in his fingers. This detail could symbolize administrative duties, scholarly pursuits, or perhaps a specific decree or papal bull he oversaw. The right hand is raised slightly, with the index finger extended – a gesture that might allude to divine guidance or impart authority.
The chair upon which he sits is equally elaborate, carved with intricate foliage and supported by scrolled legs. It reinforces the subject’s elevated status and suggests a position of power and influence. The background is dark and indistinct, serving to isolate the figure and further emphasize his prominence.
Subtly, the painting conveys an impression of gravitas and dignity. The restrained color palette – dominated by reds, golds, and whites – contributes to this effect. The overall composition suggests a desire to portray not just a likeness but also a representation of spiritual leadership and temporal authority. The artist seems intent on presenting a figure who embodies both piety and power within the context of his religious role.