A study 1906 35x26.5cm Charles Frederick Goldie (1870-1947)

The portrait presents a man in profile, his gaze directed slightly upward and to the left. The composition is tightly cropped, focusing primarily on his head and upper torso. His skin tone suggests a Southeast Asian or Pacific Islander heritage, with subtle variations in color that indicate careful observation of light and shadow. A thick, dark mustache dominates the lower portion of his face, contrasting with the smooth texture of his skin. Short, dark hair is styled close to the scalp, revealing a strong jawline and prominent cheekbones.
The man wears what appears to be ceremonial attire. A woven collar, featuring alternating bands of black and gold, encircles his neck, its texture rendered with considerable detail. Dangling from his earlobes are elongated ornaments, likely crafted from feathers or plant fibers, which contribute to the overall sense of formality and cultural significance.
The background is dark and indistinct, serving to isolate the figure and emphasize his presence. A subtle pattern, possibly representing woven fabric or a decorative wall, can be discerned in the shadows behind him. The lighting is dramatic, highlighting the planes of his face and creating a palpable sense of depth. Theres an intensity in his expression – not necessarily sadness or anger, but rather a quiet dignity and perhaps a hint of melancholy.
The work seems to function as a study, likely preliminary to a larger piece. The level of detail applied to the man’s features and clothing suggests an interest in capturing specific characteristics and textures for later use. It is possible that the artist was exploring representations of cultural identity or attempting to document a particular individuals appearance. The overall effect is one of respectful observation, conveying a sense of reverence for the subject and his heritage.