The last of the cannibals 1911 61x51cm Charles Frederick Goldie (1870-1947)

The portrait presents a man in profile, rendered with meticulous detail and a palpable sense of melancholy. He is positioned against a backdrop that appears to be roughly hewn wooden planks, their texture suggested through subtle variations in tone and brushwork. The circular format of the composition draws immediate focus onto the subject’s face and upper torso.
The most striking feature is undoubtedly his facial ornamentation. Intricate patterns are etched into his skin, forming an elaborate tattoo that covers much of his face and extends down to his neck. These markings seem not merely decorative but laden with cultural significance, potentially representing lineage, status, or a narrative of personal history. The artist has rendered them with precision, highlighting the depth and complexity of the design through careful use of light and shadow.
His hair is predominantly white, suggesting advanced age, though some darker strands remain visible, hinting at a past vitality. A thick beard, similarly tinged with grey, further emphasizes his seniority. He wears what appears to be a cloak or shawl draped over his shoulders, its texture suggested through loose brushstrokes and muted earth tones. A pendant hangs from his neck, adding another layer of detail to the composition. The elongated ear ornaments are particularly noteworthy; they contribute to an overall impression of ritualistic significance and cultural distinctiveness.
The man’s gaze is directed downwards, conveying a sense of introspection or perhaps resignation. His expression is somber, hinting at a burden carried over time. Theres a quiet dignity in his posture, despite the evident sadness that permeates his features.
Subtextually, the work seems to grapple with themes of cultural loss and the fading of traditions. The title alludes to an ending – the last – suggesting a lament for a disappearing way of life. The man’s age and the elaborate markings on his face imply he is a repository of knowledge and custom, now facing obsolescence. The rough-hewn background could symbolize the fragility of cultural heritage or the harsh realities that have led to its decline. The portrait functions as both a record of an individual and a poignant commentary on the impact of external forces upon indigenous cultures.