Bernardo Daddi – Scenes from the Life of Saint Stephen - Gamaliel Appears in a Dream to the Priest Lucian
1345. 26.5 x 30
Location: Vatican Museums (Musei Vaticani), Vatican.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting is stark and minimal. The walls are rendered in muted earth tones – ochre and green – creating a sense of enclosure and emphasizing the central narrative. Below the bed, three baskets containing what appear to be fruits or vegetables are arranged, adding a touch of domesticity to the otherwise ethereal encounter. Their presence might symbolize sustenance, abundance, or perhaps even foreshadowing related to Lucian’s future actions.
The artist employs a flattened perspective characteristic of Byzantine iconography. Depth is not prioritized; instead, the focus remains on conveying symbolic meaning and narrative clarity. The light source appears diffused, illuminating both figures evenly without creating strong shadows. This contributes to the overall sense of serenity and spiritual significance.
Subtly, the painting explores themes of divine intervention and revelation. The dream sequence suggests a communication beyond the realm of ordinary experience, implying that guidance or instruction is being imparted through supernatural means. The contrast between the active, hovering figure and the passive sleeper underscores the power dynamic at play – a moment where agency shifts from one individual to another. The red bed could be interpreted as symbolic of passion, sacrifice, or even martyrdom, hinting at a potential future for the sleeping man. Ultimately, the work conveys a sense of quiet authority and spiritual reassurance through its restrained palette, formal structure, and carefully orchestrated narrative elements.