Ba 0012 Shakespeare wrote Tragedies Comedies & Histories DianeStanley sqs Diane Stanley

The composition presents three distinct scenes arranged in a vertical format, each visually linked by a shared aesthetic and framing device. The overall effect is one of stylized narrative illustration, reminiscent of illuminated manuscripts or medieval tapestry designs. A consistent wooden paneling forms the backdrop for all three vignettes, establishing a sense of enclosure and theatricality.
The uppermost scene depicts a figure clad in royal blue and gold, crowned and wielding a sword. He strides purposefully toward an unseen destination, his posture conveying authority and perhaps menace. The gesture with the sword suggests potential violence or a declaration of power. Below this panel, a banner identifies the subject as Richard III, immediately establishing a connection to historical drama.
The central scene introduces a contrasting tone. A young man in dark attire observes a winged figure playing a lyre amidst lush foliage contained within a large terracotta pot. The angel-like being exudes an ethereal quality, while the boy’s gaze suggests wonder or perhaps apprehension. This panel is labeled The Tempest, hinting at themes of magic, nature, and observation.
The lowest scene presents a tableau of grief and despair. A young woman lies prone on what appears to be a patterned cloth, while a male figure kneels beside her, holding a vial. The posture of the kneeling man conveys sorrow and helplessness. This final panel is identified as Romeo and Juliet, immediately signaling themes of tragic love and loss.
The deliberate pairing of these three narratives – one associated with political intrigue, another with fantastical elements, and the third with romantic tragedy – suggests an exploration of the breadth of dramatic literature. The consistent visual style across all scenes creates a sense of unity while allowing each narrative to retain its distinct character. The use of banners reinforces the idea that these are representations of specific works, rather than attempts at realistic depiction.
The color palette is rich and warm, dominated by golds, blues, and greens, contributing to an atmosphere of both grandeur and melancholy. The stylized figures and simplified backgrounds prioritize narrative clarity over naturalistic detail, emphasizing the symbolic weight of each scene. Overall, the work appears intended as a visual introduction to a collection or exploration of dramatic works, highlighting their diverse emotional landscapes through carefully constructed imagery.