Girolamo da Carpi – Saint Luke Drawing the Virgin and Christ Child
~1535. 47×34 cm
Location: Art Institute, Chicago.
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These latter figures are arranged around what appears to be a bed draped with rich green fabric. A woman, adorned in pink and blue robes, holds a small child close to her chest, gazing directly towards the seated figure who is drawing them. The child clings to his mother’s neck, his face turned slightly away from the viewer.
The setting itself is carefully constructed. An open doorway provides a glimpse of an exterior landscape – a vista featuring trees and what seems to be a body of water under a bright sky. This window acts as a compositional device, drawing the eye outward while simultaneously reinforcing the enclosed nature of the interior space. The light entering through this opening illuminates portions of the scene, creating a contrast between areas in shadow and those bathed in brightness.
The arrangement suggests an act of creation or commemoration. The seated figure’s focused attention on his task implies a reverence for the subject he is portraying. The womans posture and gaze convey tenderness and protectiveness towards her child. The inclusion of the window, with its view onto nature, might symbolize divine inspiration or the connection between the earthly realm and something beyond.
Subtleties in color contribute to the overall meaning. The pink and blue hues associated with the woman suggest purity and divinity, while the green drapery evokes a sense of opulence and sanctity. The aged figure’s yellow robes could be interpreted as representing wisdom or knowledge. The compositions deliberate arrangement and careful use of light and color point towards an intention to elevate this domestic scene into something of profound significance.