entwurfe fur einen palast ruckseit und aufgeklebter grundriss Hans Makart (1840-1884)

The composition presents a complex architectural study, combining elevation and sectional views with supplementary diagrams affixed to the primary drawing. The central focus is a monumental palace facade rendered in watercolor and ink, exhibiting a pronounced Baroque sensibility. Here we see a symmetrical arrangement of bays, punctuated by a prominent central dome crowned with a cross. The building’s scale is imposing, suggesting a structure intended for significant power or prestige.
The artist employed a muted palette; ochre, brown, and grey tones dominate the depiction of the stone facade, while the sky behind is rendered in washes of pale blue and yellow, creating an atmospheric perspective that emphasizes depth. The detailing on the building’s exterior is meticulous – pilasters, cornices, balustrades, and sculptural ornamentation are all carefully delineated.
Flanking the central elevation are two smaller diagrams. On the left, a detailed rendering of a section appears, providing insight into the internal structure and spatial organization of the palace. The right diagram displays what seems to be an heraldic emblem or coat of arms, suggesting patronage or association with a specific noble house or state.
The inclusion of both exterior and interior views indicates a comprehensive design study aimed at conveying not only the building’s appearance but also its functional layout. The affixed diagrams suggest that this is not merely a finished artwork, but rather a working document – a preliminary sketch intended for further refinement and discussion.
Subtly embedded within the composition are indications of power and authority. The sheer size of the palace, the elaborate ornamentation, and the inclusion of the heraldic emblem all contribute to an aura of grandeur and status. The sectional view hints at a complex internal organization, potentially reflecting hierarchical social structures or administrative functions. The overall effect is one of controlled ambition – a vision of architectural magnificence intended to project influence and solidify legacy.