#12443 Rafael Barradas

The composition presents a vibrant and fragmented urban landscape rendered in bold, geometric forms and a saturated palette. The artist has eschewed traditional perspective, instead opting for a flattened pictorial space where elements overlap and interlock without clear spatial relationships. A dominant red-orange hue permeates the lower portion of the canvas, providing a warm, energetic base against which cooler blues and greens emerge.
Several architectural structures are discernible, though their precise nature remains ambiguous. The artist depicted what appear to be buildings with sharply angled roofs and facades, constructed from flat planes of color rather than modeled volumes. A prominent white structure, bearing the inscription 30 FIJO, commands attention in the upper left quadrant; its presence suggests a deliberate inclusion of textual elements within the visual field.
The arrangement of shapes is not arbitrary. There’s an underlying rhythm created by the repetition and variation of forms – rectangular blocks, curved lines, circular motifs – that contributes to a sense of dynamic movement across the surface. The artist has employed a limited range of colors, but their juxtaposition generates considerable visual tension and excitement.
Beyond the immediate depiction of urban structures, the painting seems to explore themes of memory, fragmentation, and the subjective experience of place. The disjointed nature of the forms suggests a landscape viewed through a fractured lens, perhaps recalling a specific moment or impression rather than offering a comprehensive representation. The inclusion of text introduces an element of narrative ambiguity; 30 FIJO could be interpreted as a street address, a symbolic reference, or simply a decorative element intended to disrupt the visual order.
The overall effect is one of controlled chaos – a deliberate disruption of conventional pictorial expectations that invites viewers to actively engage with the work and construct their own interpretations. The painting’s strength lies in its ability to evoke a sense of place without resorting to realistic representation, instead relying on color, form, and textual elements to create a compelling visual experience.