Jan Brueghel the Younger – Landscape with Riders
Location: Pushkin State Museum, Moscow (ГМИИ им. Пушкина).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A procession of figures dominates the lower portion of the painting. They are mounted on horses or accompanied by pack animals laden with goods, suggesting a journey or perhaps a return from a hunt. The individuals are dressed in elaborate attire, indicative of their social standing – a mix of formal garments and practical riding clothes. Several carry umbrellas, which might be for protection against sun or rain, but also contribute to the sense of ceremony and importance surrounding this group.
The artist has employed atmospheric perspective effectively; distant elements are rendered with softer edges and cooler tones, creating an illusion of depth and vastness. The light source appears to originate from behind the viewer, casting shadows that define form and volume while contributing to a general feeling of warmth. A single bird in flight punctuates the sky, adding a touch of dynamism to the otherwise static scene.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of landscape and travel. The fortress’s placement on high ground implies surveillance and control over the surrounding territory. The manor house represents civilization and refinement imposed upon nature. The procession itself could be interpreted as a symbolic representation of societal hierarchy, with the elaborately dressed figures asserting their dominance over the land and its inhabitants.
The overall impression is one of controlled grandeur – a carefully orchestrated scene that blends human activity with the natural world, while subtly conveying themes of power, status, and dominion. The painting evokes a sense of leisurely travel within a structured social order, where even the landscape seems to be shaped by human influence.