Moritz Von Schwind – Sabina von Steinbach
1844. 121x121
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Within the workshop, a young woman is depicted in the act of sculpting. She holds a mallet poised above a chisel, her posture suggesting focused effort and skill. Her attire – a red tunic layered over a green underdress, with a simple headscarf – indicates a working-class status, possibly an apprentice or assistant to the master sculptor whose tools are visible on the shelves behind her. A pile of coins rests at her feet, hinting at payment for her labor or perhaps representing the potential value of the work she is creating. The presence of unfinished busts and other sculptural fragments on the shelves reinforces the setting as a place of artistic production.
The focal point of the painting is the partially completed statue standing before the woman. It portrays a female figure in modest, flowing robes, her face rendered with an idealized serenity. The statue’s placement – directly illuminated by light entering through the doorway – elevates its significance and suggests it represents something beyond mere physical form; perhaps virtue or spiritual aspiration.
Beyond the workshop doorway, a lively street scene unfolds. A procession of figures clad in red robes moves towards the cathedral, their presence suggesting a religious ceremony or civic event. Other individuals are engaged in various activities – some appear to be laborers, others onlookers – creating a sense of dynamic urban life. The architectural details of the cathedral itself, with its intricate stonework and soaring spires, emphasize the grandeur and importance of faith within this society.
The interplay of light and shadow is crucial to the painting’s effect. The interior workshop is bathed in a warm, diffused glow, while the exterior scene is rendered with brighter, more direct sunlight. This contrast not only defines spatial relationships but also contributes to the overall mood – a sense of quiet dedication within a vibrant world.
Subtly, the work explores themes of labor, artistry, and faith. The woman’s diligent work suggests the value of craftsmanship and the importance of skill in creating something beautiful and enduring. The statue itself may symbolize ideals of beauty and piety, while the bustling city scene underscores the context within which these values are expressed. The juxtaposition of the individuals focused effort with the larger communal activity implies a connection between personal dedication and societal purpose.