John Wootton – The Duke Of Rutlands Bonny Black Held By A Groom At Newmarket
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The stallion’s size is striking; its powerful build and dark coloration contribute to an impression of strength and prestige. The artist has rendered the horses musculature with a degree of detail, highlighting its athleticism. White markings on its legs are carefully depicted, adding visual interest against the otherwise somber palette. A white ribbon adorns the horse’s neck, possibly signifying ownership or a special distinction.
Behind the central figures, a crowd gathers – a collection of men in various styles of dress, some observing with apparent excitement. Further back, other horses and riders are visible, engaged in what seems to be a race. The background is loosely painted, suggesting depth and distance while maintaining focus on the primary subject matter. A brick structure appears at the left edge of the composition, providing a vertical counterpoint to the horizontal expanse of the scene.
The painting conveys several subtexts related to status, ownership, and leisure. The presence of the groom suggests the wealth and privilege associated with owning such a valuable animal. The depiction of the race itself speaks to the popularity of equestrian sports among the elite during this period. The subdued color scheme – primarily dark tones punctuated by white accents – might symbolize restraint or formality, characteristic of aristocratic pursuits. The overall composition emphasizes not only the physical presence of the horse but also its symbolic value as a marker of social standing and refined taste.